Contacting the studio formally through The Micho (the practitioner I contacted for A Creative Presence), I was able to get an exclusive tour around the studio to quickly report on their workflow, methods, infrastructure, along with seeing pre-production assets from several of their projects. Thus, my presentation is based on both primary and secondary research. Firstly I sat down with the general creative director of the studio and had a chat with him about how the departments are divided along with the multitude of projects they have had or have underway. What I was mostly interested in was their peripheral team which consists of a myriad of international animators from all over the globe. The Italian illustrator Danielle Rudoni was the art director for Nincow - one of the studio's first ever projects along with a range of other practitioners. Writing down all the information I was given during the tour, I then went on to do secondary research through their highly immersive Facebook page where I looked at picture-framed time stamps of when and how their projects were conducted. I'm quite happy that I managed to make connections with the studio as well as some of the practitioners personally as it establishes a small network that I will utilize once I'm done with college to excel in animation and establish a possible opportunity for work.
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